Wednesday, 21 October 2015

Art of the Poster - Jean-Pierre Melville's "Le Doulos" {aka " The Finger Man"} (1963)




Cool, collected and oh so chic, `Le Doulos' reminds me a lot of Melville's later triumph `Le Samourai'. Both films are just dripping with attitude and suave entitlement and both films delve into the gritty life of a criminal. This time around, the trench coats and jazz music follow a group of thieves as they deal with a supposed informant. With enough twists and turns to keep you guessing till the very end, `Le Doulos' does everything it needs to in order to hook you and keep you hooked.


In `Le Doulos', Jean-Pierre Melville introduces us to Silien, a shady character of sorts who may or may not be a police informant ratting out his friend, the recently released Maurice Faugel. As Maurice finds his latest job botched at the hands of the police he begins to wonder just who his real friends are, and when he finds himself behind bars it seems all too obvious who is behind it all; but is it really all that simple?






















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