Rolling Stones - Between The Buttons

Rolling Stones - Between The Buttons (1967)

Between the Buttons is the fifth UK and seventh US studio album by The Rolling Stones and was released in 1967 as the follow-up to Aftermath.

Recorded in two swift sessions in Los Angeles in August 1966 and London that November, Between the Buttons caught The Rolling Stones at a period where they were moving more into arty territory and away from their R&B roots.

With the release of The Beatles' Revolver, The Beach Boys' Pet Sounds and Bob Dylan's Blonde on Blonde during 1966, the parameters of rock music had been expanded considerably and The Rolling Stones - in particular Mick Jagger and Keith Richards, as the main songwriters - were forced to keep up. Conscious that they had to progress beyond Aftermath, the Stones follow-up - betraying influences drawn from British pop contemporaries like The Kinks - was Between the Buttons.

Much like Aftermath, Between the Buttons saw some differences in its UK and US versions. The UK edition (how producer Andrew Loog Oldham and The Rolling Stones intended it) was issued in January 1967 on Decca Records, concurrently with a separate single, "Let's Spend the Night Together" b/w "Ruby Tuesday". Because of common practice in the British record industry at the time, the single did not appear on the album. Generally well-received (although the critics took note of their influences), Between the Buttons reached #3 in the UK.

In the US, "Let's Spend the Night Together" and "Ruby Tuesday" were slotted onto the album, with "Back Street Girl" and "Please Go Home" getting the boot (these would be included on the following US release, Flowers). With "Ruby Tuesday" reaching #1, Between the Buttons shot to #2 in the US, going gold.

Additionally, Between the Buttons would prove to be the last album produced by Andrew Loog Oldham, with whom The Rolling Stones would have a creative falling-out in mid-1967. Indeed, Oldham's influence is more evident here than on earlier albums, as he employs Phil Spector-like layering on "Yesterday's Papers" and "My Obsession" and uncredited background vocalists throughout.

Brian Jones continues his experiments in exotic instruments on this album, playing electric and acoustic guitars, harmonica, recorder, piano, trumpet, trombone, and banjo-ukulele. Keith Richards, except for some vicious licks on "All Sold Out" and "Miss Amanda Jones", is conspicuously (and unsettlingly) quiet.

In the years following its release, Between the Buttons somehow became overlooked. Today, however, many critics and fans have come to appreciate the album's eclectic qualities and a wealth of obscure gems, making it a unique album in The Rolling Stones' released catalogue, one that more or less abandoned the Stones' blues based style and featured more consistent songwriting than their previous efforts.

In 2003, the album was ranked number 355 on Rolling Stone magazine's list of the 500 greatest albums of all time.

In August 2002 both editions of Between the Buttons were reissued in a new remastered CD and SACD digipak by ABKCO Records.

Tracklisting

All Sold Out
Complicated
Connection
Cool, Calm, & Collected
Let's Spend The Night Together
Miss Amanda Jones
My Obsession
Ruby Tuesday
She Smiled Sweetly
Something Happened To Me Yesterday
Who's Been Sleeping Here?
Yesterday's Papers

Here she be:

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All thanks to the original poster!